Crime novelist Catherine Tramell is living in London, and becomes the center of police investigation (yet again) when her football player boyfriend drowns in a car accident and it is revealed that he was already dead because of a drug overdose before Tramell drove the car into water. Police psychoanalyst Dr. Michael Glass is called for examining Tramell, and is intrigued by the seductive and manipulative woman. On the other hand , his friend Det. Roy Washburn is sure Tramell is guilty. Tramell asks Glass to treat her for her 'risk addiction' problem, and with each therapy session , Glass gets more and more suspicious about her intentions. As more and more murders are committed, including that of Glass's ex-wife, Glass becomes obsessed with proving Tramell's guilt even though the evidence is contradictory . Written by Soumitra

Rowan plays the eponymous lead character in a spoof spy thriller. During the course of the story we follow our hero as he attempts to single-handedly save the country from falling into the hands of a despot. Written by Alistair Knight

The movie describes the life of Adolf Hitler from childhood to manhood, and how he became so powerful. It describes his poor childhood in Austria, it describes the first world war from his point of view, and how he became the strongest man in Germany. The movie show us how Hitler turned from a poor soldier into the leader of the Nazis, and how he survived the attempts to kill him. It describes his relationship with his mistress Eva Braun, and his decisions and enemies inside Germany and inside the Nazi party. Written by rsilberman

After his impetuous musician girlfriend, Samantha, dies in an accident shortly after they had a fight (and nearly broke up), a grief-stricken British businessman, Ian Wyndham, living in London gets a chance to relive the day all over again, in the hope of changing the events that led up to her getting killed.

It is 1888 in London, and the unfortunate poor lead horrifying lives in the city's deadliest slum, Whitechapel. Harassed by gangs and forced to walk the streets for a living, Mary Kelly and her small group of companions trudge on through this daily misery, their only consolation being that things can't get any worse. Yet things somehow do when their friend Ann is kidnapped and they are drawn into a conspiracy with links higher up than they could possibly imagine. The kidnapping is soon followed by the gruesome murder of another woman, Polly, and it becomes apparent that they are being hunted down, one by one. Sinister even by Whitechapel standards, the murder grabs the attention of Inspector Fred Abberline, a brilliant yet troubled man whose police work is often aided by his psychic abilities. Abberline becomes deeply involved with the case, which takes on personal meaning to him when he and Mary begin to fall in love. But as he gets closer to the truth Whitechapel becomes more and ... Written by Anonymous

Newlywed couple Nat and Josh are deliriously happy despite their differences, though friends and family aren't convinced that they can last. With their first anniversary approaching and attractive alternatives in the mix, can they last?

In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a part in a Faust version in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the Nineteenth Century in London, when she is an aspirant opera singer and becomes the protégée of The Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler that makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present days and has a great surprise when she is introduced to the producer of the opera. Written by Claudio Carvalho, Rio de Janeiro, Brazil